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Armchair Poltrona Frau Jay
PRO
$7
Royalty free
Platform:3dsMax 2012 + fbx
Render:
V-Ray
Size:
5 MBNEW
Colors:
Style:Modern
Materials: Metal, Leather
Formfactor:
Published 19 May 2017
Paths to textures are cleared Materials in English The model is grouped and named by the logical name Scan is available FBX without smoothing Polygons without smoothing - 5,618, Turbosmooth (instance) - Mixed 1 & 2 iterations - 58,236 Dimensions (mm): W 750 D 930 H 1090 mm W 29.5 '' D 36.5 '' H 43 '' The Jay Lounge armchair is a privileged realm to dedicate purely to ourselves. Reserved for highly personal moments of meditation, relaxation and reading. A new take on the archetypal bergre that instantly becomes a contemporary icon. A new classic, completely atypical, with a strong emphasis on hedonism. The seat is modulated around the body. The geometries are organic yet taut and sculpted. The backrest and seat are independent of each other. Jean-Marie Massaud proceeds by subtraction, lightening the volumes and instilling movement into the composition. The armrests jut out jauntily, as if carved from the material. The ergonomics of the seat are primarily visual and are confirmed by the absolute comfort of the constructions and volumes.
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Armchair Poltrona Frau Jay

PRO
$7
Royalty free
27
27
27
Platform:3dsMax 2012 + fbx
Render:
V-Ray
Size:
5 MBNEW
Colors:
Style:Modern
Materials: Metal, Leather
Formfactor:
Published 19 May 2017
Paths to textures are cleared Materials in English The model is grouped and named by the logical name Scan is available FBX without smoothing Polygons without smoothing - 5,618, Turbosmooth (instance) - Mixed 1 & 2 iterations - 58,236 Dimensions (mm): W 750 D 930 H 1090 mm W 29.5 '' D 36.5 '' H 43 '' The Jay Lounge armchair is a privileged realm to dedicate purely to ourselves. Reserved for highly personal moments of meditation, relaxation and reading. A new take on the archetypal bergre that instantly becomes a contemporary icon. A new classic, completely atypical, with a strong emphasis on hedonism. The seat is modulated around the body. The geometries are organic yet taut and sculpted. The backrest and seat are independent of each other. Jean-Marie Massaud proceeds by subtraction, lightening the volumes and instilling movement into the composition. The armrests jut out jauntily, as if carved from the material. The ergonomics of the seat are primarily visual and are confirmed by the absolute comfort of the constructions and volumes.