While there is little documentation surrounding the designer's lighting, it remains readily identifiable. Andr Arbus viewed lighting as an integral part of furnishing - if not the furniture itself - the ultimate polish, the unspoken refinement to scale and proportion. Circa 1940s. Drawn from a neoclassical vocabulary, this grandly scaled chandelier includes a symbolically perfect circular antique brass support and five torch-like lamps, each with a frosted glass candle cup. The most distinctive feature